It became EminemвЂ™s sixth consecutive number-one album in the United States and has produced two singles that achieved chart success, including international hits вЂњNot AfraidвЂќ and вЂњLove the Way You LieвЂќ. The album debuted at number one on the US BillboardВ 200 chart, selling 741,000 copies in its first week. In a recent interview Eminem said вЂњI must have gone through 200-300 beats, for the album and chose 100 of them and recorded it.вЂќ The music on Recovery came out very different from Relapse, and I think it deserves its own title.вЂќ On April 27, Eminem released a freestyle titled вЂњDespicableвЂќ over вЂњOverвЂќ by Drake and вЂњBeamer, Benz, or BentleyвЂќ by Lloyd Banks featuring Juelz Santana as promo for the first single, вЂњNot AfraidвЂќ, which debuted on Shade 45 on April 29. But as I kept recording and working with new producers, the idea of a sequel to Relapse started to make less and less sense to me, and I wanted to make a completely new album. Eminem said вЂњI had originally planned for Relapse 2 to come out last year. He confirmed this by tweeting вЂњRecoveryвЂќ with a link to his website. When he tweeted this, people started to believe that he was not releasing an album at all, but it meant simply that the album would be changed to Recovery. On April 13, 2010, Eminem tweeted вЂњThere is no Relapse 2вЂќ to his followers. Production for the album took place during 2009 to 2010 and was handled by several record producers, including Alex da Kid, Just Blaze, Boi-1da, Jim Jonsin, DJ Khalil, and Dr. Album DescriptionRecoveryВ is the seventh studio album by Eminem, released June 18, 2010, on Polydor Records and Interscope Records. See More Your browser does not support the audio element. В© Stephen Thomas Erlewine /TiVo More info Fact is, it still delivers more great music than most of its peers in rock or rap, and is further proof that Eminem is an artist of considerable range and dimension. Perhaps the album runs a little too long at 20 songs and 80 minutes and would have flowed better if trimmed by 25 minutes, but that's a typical complaint about modern hip-hop records. Plus, the undercurrent of political anger - not just attacking Lynne Cheney, but raising questions about the Bush administration - gives depth to his typical topics, adding a new, spirited dimension to his shock tactics as notable as the deep sentimental streak he reveals on his odes to his daughter. Even if there is little new ground broken, the presentation is exceptional - Dre never sounds better as a producer than when Eminem pushes him forward (witness the stunning oddity 'Square Dance,' a left-field classic with an ominous waltz beat) and, with three albums under his belt, Eminem has proven himself to be one of the all-time classic MCs, surprising as much with his delivery as with what he says. So, that means The Eminem Show is essentially a holding pattern, but it's a glorious one - one that proves Eminem is the gold standard in pop music in 2002, delivering stylish, catchy, dense, funny, political music that rarely panders (apart from a power ballad 'Dream On' rewrite on 'Sing for the Moment' and maybe the sex rap 'Drips,' that is). All this is married to a production very similar to that of its predecessor - spare, funky, fluid, and vibrant, punctuated with a couple of ballads along the way. This, of course, encompasses many, many familiar subjects - his troubled childhood his hatred of his parents his turbulent relationship with his ex-wife, Kim (including the notorious incident when he assaulted a guy who allegedly kissed her - the event that led to their divorce) his love of his daughter, Hailie and, of course, all the controversy he generated, notably the furor over his alleged homophobia and his scolding from Lynne Cheney, which leads to furious criticism about the hypocrisy of America and its government. And it is, as he spends much of the album commenting on the media circus that dominated on his life ever since the release of Marshall Mathers. Third time around, it's The Eminem Show - a title that signals that Eminem's public persona is front and center, for the very first time. Second time at bat, he turned out The Marshall Mathers LP, delving deeper into his past while revealing complexity as an artist and a personality that helped bring him an even greater audience and much, much more controversy. First time around, Eminem established his alter ego, Slim Shady - the character who deliberately shocked and offended millions, turning Eminem into a star.

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